
Not your typical backpackers digs here per se, as this concept is more commonly associated with boutique hotels, but the Art Factory in Buenos Airies certainly looks like an interesting place to crash – for those of you on the move this summer.




Published on
July 22, 2010 – 3:51 am |


vibrant abstracts from the berlin based artist yago hortal.
Published on
July 16, 2010 – 4:09 pm |

Just as every music enthusiast will occasionally toss the iPod or CD collection to one side, pull his or her vinyl collection out of the dusty box, and lie there listening to the nostalgic scratch of some long-forgotten classics – you can imagine my enthusiasm on recently discovering a series of interviews with my first memory wave of design celebrities or ‘rock stars’ from the 80′s and 90′s on Debbie Millman’s ‘Design Matters’ podcasts. If you were a student in either of these eras (which I imagine many of our readers where), then these come highly recommended (Chris was kind enough to cover some of this subject a while back). Brody, Saville, Fella, Carson, Glaser and Curtis are just to name but a few. This morning it was a cross-atlantic call with Vaughan Oliver, with notable mention of the much under-mentioned Chris Bigg. For those who aren’t over familiar, Oliver was thrust into the design limelight back in the late 70′s for his openly self-indulgent and somewhat rebellious artwork for the record label 4AD.
Personally, as difficult as I find it to talk about work without the visual aid to speak for itself, I can compare this to how much more of a fulfilling experience I found it listening to the interview whilst looking back at examples of Oliver’s most famous (and not so famous) works online. This one source, aptly named EyeSore, serves as an archive containing the work produced over a 25-year period and showcases some of the duo V23‘s (Oliver and Bigg’s studio name), more not-so-known pieces.



Its easy to get lost in here, but I’m still grappling with the logistics of this strange beast. However as you can see here, dig hard enough and there are some rare and indeed precious gems to be found in the way of the most introspective and expressionist forms of graphic art, ever to be produced for record labels. Take time out today to look around, going back to the vinyl record analogy, it serves as a nice trip down memory lane to the student days of petrol prints, omnicrom, darkrooms and letraset.




Published on
July 13, 2010 – 2:49 am |



beautiful sensibility, this series puts a smile on a wednesday and needs a hug. your welcome mRO.
debbiecarlos.com
Published on
June 30, 2010 – 2:46 am |